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Near the end of 2024, I crossed a threshold. I performed live as a singer for the first time, bringing something that had existed privately within me into view. When I left the stage, I wanted to return. Music could no longer remain a possibility without form.

I entered 2025 with a one-year deadline. My purpose was not simply to make songs, but to establish the foundation of who I was as an artist: the music, identity, imagery, movement and world surrounding it.

Limbo Sessions was the first project I had ever created. Songwriting, production, branding and creative direction were all new territories. Singing and dancing, however, had followed me throughout my life. For the first time, everything was being directed toward the same purpose.

The studio and the camera became two sites of initiation. The studio required me to understand my instincts as a songwriter and recording artist. Joining a dance group required me to present my movement at full capacity in front of others and study my presence through the camera. Together, they revealed that the impact I wanted could not be carried by sound alone.

Creating my first project while learning how to shape every dimension of it brought persistent self-doubt and what felt like a constant ego death. Each stage dismantled another assumption about who I was, what I could do and whose confirmation I needed before continuing.

Limbo Sessions carries the passage that followed. It moves through uncertainty, unstable confidence and dependence on external validation before arriving at a quieter form of self-trust. Within it, the parts of me that had once moved separately began to find a shared rhythm: the body claiming space, the mind shaping meaning, and the inner current that had carried both long before they had a direction.

By the end of 2025, I had built an artistic world, evolved as a songwriter and co-produced two songs on my first project. More importantly, I had established the principle that now governs my work: uncertainty does not have the authority to stop movement, and becoming does not require abandoning what has always been true within us.

This is the foundation from which I create. Not the pursuit of a perfected self, but the choice to let body, mind and soul move as one.

The Passage

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